Going with the Flow
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One granite boulder served triple duty in my studio in contributing to three sculptures. Three more sculptures came from one basalt sculpture and its chips. All a...
Recursion began as a meditation on a mathematical concept, recursion, an important idea in my research on animal intelligence and my teaching. The idea receded into the ...
Then George Drake invited me to show a large stone sculpture in a memorial exhibition for influential B.C. sculptor David Marshall. The venue was the Big Rock Garden in...
Scoria is named after the stone I carved it in - scoria. As long as I directed light effectively to reveal high places and used my whole body to guide the to...
For me, and I think for many who experience these sculptures, they evoke strong feminine energy. This is consistent with Carl Jung’s notion of Anima and An...
Soaring soars for me in two ways. It thrusts "up, up and away" from its connection to the earth, even while remaining rooted to the ground. It also feels ready to tak...
The naturally-layered light/dark green mudstone of the original accentuates the form, as would any other laminar medium, and invites it to Pop! vividly into 3D perception...
While I was still carving The Gift, a snapshot of the sculpture helped my 14 year-old grandson Amaris understand geometric transformations. One of the two component sha...
I took several years to decide which way was up on this granite boulder. I took the easy way out by putting the heavy end down, and now the sculpture balance...
The translucency of the stone imposed two simple constraints and Eternal Flame’s form satisfies both. Twin convex upper surfaces collect light from all directions and s...
When the backhoe clearing for my studio unearthed this boulder and it was still tumbling, I hollered “Halt!” Even as a dirty, muddy, greenish coloured stone, it sug...
Here is the story of the travertine pool inlaid into the granite base. Sculptors must decide which way is up on their sculptures - - establish the vertical axis. Somet...
Eerily glowing light green layers of translucency. Masses of dark green opacity. Pinks, intermediate in hardness between the greens, all of them bordering each other...